Categories
Abstract Uncategorized

Diffraction no. 12

acrylic and watercolor pencil on paper 12″x12″

Categories
Representational Uncategorized

The Phoenix Tree

mixed media on duralar and paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 11

acrylic and colored pencil on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 10

acrylic, goldpoint, and colored pencil on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 9

acrylic, graphite pencil, and watercolor pencil on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 8

acrylic on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 7

acrylic, chalk pastel, and watercolor pencil on paper 12″x12″

Categories
Representational Uncategorized

Yale Art Gallery

colored pencil on panel 16″x20″

Categories
Abstract Uncategorized

Diffraction no. 6

acrlyic, hand sanitizer, watercolor pencil, chalk pastel and paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 4

acrylic, graphite, water color pencil, and chalk pastel on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 4

acrylic, watercolor, chalk pastel, watercolor pencil, graphite, and ink on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 3

acrylic, watercolor, and water color pencil on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 2

acrylic and chalk pastel on paper 12″x12″

Categories
Abstract Uncategorized

Diffraction no. 1

acrylic and graphite on paper 12″x12″

Categories
Abstract Uncategorized

Resonance no. 4

oil on paper 12″x16″

Categories
Abstract Uncategorized

Resonance no. 3

oil on canvas 12″x12″

Categories
Representational Uncategorized

Silvermine Stairs

oil on panel 12″x16″

Categories
Abstract Uncategorized

Resonance no. 2

oil on paper 12″x16″

Categories
Representational Uncategorized

Up To The 8th Floor

oil on canvas 30″x30″

Categories
Representational Uncategorized

When I Just Float

watercolor on paper 12″x14″

Categories
Representational Uncategorized

Chapel Of Our Lady Restoration

oil on panel 12″x24″

Categories
Representational Uncategorized

Not Really Here

ink and graphite on acrylic prepared paper 12″x18″

Categories
Representational Uncategorized

Exit 8

watercolor on paper 14″x20″

Categories
Representational Uncategorized

Primary Forest

oil marker on acrylic 12″x12″

Categories
Blog

Why do I do this?

So why do I do art? Ā I had tried to describe the disillusionment I feel with job, with computers, with technology, with the internet, and how that drove me towards doing something more real, more physical, work I can complete, that can make the world a bit better, even if it just to bring some brief enjoyment. Ā Then I saw this interview with Peter Sunde, founder of The Pirate Bay:

https://motherboard.vice.com/en_us/article/pirate-bay-founder-peter-sunde-i-have-given-up

His words sum up, at a deeper and bigger level, all that I am feeling.

But still we think of the internet like this new kind Wild West place, and things are not in chains yet, so we don’t care because everything will be OK anyhow. But that is not really the case. We have never seen this amount of centralization, extreme inequality, extreme capitalism in any system before.

From a young age I developed an interest in computers. Ā This was the mid 80s, well before the internet. Ā Technology was a solitary thing, and I liked that. Ā Computers were uncomplicated. Ā They were tools that did what you told them to, and let you extend what was in your mind into new places. Ā These isolated boxes were only useful for creating. Ā Anything you wanted to consume you had to physically get and pay for. Ā The expense in time, knowledge, and money, meant it was not worth having a computer if you weren’t going to make something.

Then the internet came along. Ā Actually before that, dial up BBSs came along, and networks like FidoNet where messages would hop around the world, from computer to computer, in batches over phone lines. Ā It might take a few days for that message board post from the other side of the globe to make it to me, but you could communicate. Ā I couldn’t wait to get my hands on the internet, then mainly only available in colleges. Ā Those conversations could happen quickly there, and with access to a global academic community. Ā The possibility for knowledge was huge.

Now that is real. Ā In my pocket I have a device where I can talk to anyone in the world, ask any question, see most anything from anywhere. In achieving that, knowledge isn’t enough. Ā  This was no longer a place mainly for people who could understand and respect what this was. It now contains the messiness of who we all are, of our economies, ideologies, the conflicts between them. Ā Nothing is ever finished. Ā Anything that is built either has this life where it must always feed the network, or disappearĀ into oblivion. Ā Only the biggest have the wherewithal to succeed at this. Ā How could I hope to make anything anyone cared about, when the demands of the network as it is just keep centralizing everything?

So I thought, well, what if the decentralized approach could come back in some way, and let us communicate, without censorship, and without central control? Ā  I thought the git version control system could serve as a great building block for this. Ā It records information in such a way that it is impossible to alter the past without someone noticing. Ā It is meant to be distributed, copying data far and wide. Ā It allows for signing data so you know it comes for a trusted or real source. Ā I thought using git, something like twitter could be built, and it would be decentralized, and hard to censor.

What if this system was used for destructive ends, as I was now seeing social media playing out in new wars? Ā What if it is used to manipulate people? Ā How would I deal with everyone using it, and not knowing who might use it and how? Ā In such complexity, what do you do? Ā Computers were no longer the solitary, creative devices they once were. Ā  They had the faces of every person on the planet behind them, with all of the messiness, uncertainty, manipulation, good, evil, and confusion. Ā  They had become what as I child I wanted to escape.

I would rather not care about it myself. Because it’s very hard to do something about it, and not become a paranoid conspiracy person. And you don’t want to be that. So rather just give up. That’s kind of what people have been thinking, I think.

The inertia is huge. Ā  As much as I find technology challenging, sometimes fulfilling, and still full of possibilities, I was never going to be able to do anything about it from within. Ā  Anything I do with computers is doomed to be swept along in this current. Ā My job certainly is that. Ā What I once thought of as a career has become a paycheck, with the occasional points of pride I hold on to to get me through the day. Ā While much of that has something to do with my current employer, I find it hard to imagine it not feeling that way elsewhere. Ā Another job would just maybe make it easier to swallow.

Stop treating internet like it’s a different thing and start focusing on what you actually want your society to look like.

So that is why I started drawing, and then painting, and have been at it for 2 or 3 years now. Ā I can’t fix it from the inside. Ā I certainly can’t fix it at all. Ā What I can do is get back to what it once was, when technology was just a tool to create, and didn’t seek to recreate you, and what I need to do is create. Ā Each work of art is a singular object I can start, and finish, and move on. Ā It can go into the world and hopefully make some impression on someone, even if just so basic as to let them pause in all the complexity of life and find some spot of beauty or new point of view.

So what do I want society to look like? Ā I want to see a world where on the whole, we create more than we consume. Ā  Where we can have those solitary moments where we can be ourselves. Ā Where those moments allow us to then connect more directly, and authentically. Ā Where beauty can be found by noticing the mundane, the unnoticed, by looking somewhere other than where our attention is directed. Ā Where being better people is our highest value. Ā  I’ve always felt like right now is the best time of my life, compared to the entirety of my past, even when now may still fall short in so many ways.

The irony is, how we place value on art is also part of the same problem. Ā There are a lot of us doing this stuff. Ā I have no reason to think I am anything more worth noticing than anyone else. Ā  Capitalism is the means by which we reach consensus on value, and in that system, some of us have much much more weight than others. Ā Curation is an important thing. Ā Someone needs to sort through all that is happening to build a cohesive story of what is worth our time and attention, which will always be a limited resource. Ā Success is defined as reaching those who have mastered capitalism, acquired so much wealth that they can have the luxury of putting some of it toward something so human and impractical as art.

I recently I went to the Whitney Biennial, and saw the “Occupy Museums” wall, clearly and beautifullyĀ explaining to the assembled crowd how the whole system of finance supports and limits art. Ā That’s nice. Ā What it says to me is the man behind the curtain no longer cares if you know he is there or what he is doing. Ā He will even pay for someone to tell on him. Ā Now you know, what are you doing to do about it? Ā Is there anything you even can do? Is there an actual alternative that has a chance of working?

There is the same problem, knowledge is not enough, but it is in a different place. Ā So what do I do now? Ā I don’t know. Ā There is nothing more I can do but keep creating. Ā The rest depends on everyone else.

— Joseph Vincent Annino

Categories
Art Representational Uncategorized

Saint Mary’s By the Sea

oil on canvas 30″x30″

Categories
Art Representational Uncategorized

The View From Taco Bell

watercolor and ink on paper 14″x20″

Categories
Art Representational Uncategorized

The History Of Boats In Charleston Harbor

oil pastel and ink on paper, 14″x20″

Categories
Art Representational Uncategorized

53 South Redding

oil on panel 12″x12″

Categories
Art Representational Uncategorized

3

oil pastel on paper 14″x20″

Categories
Art Representational Uncategorized

A Day In the Winter

oil on canvas 12″x12″

Categories
Abstract Art Uncategorized

Resonance #1

oil on canvas 12″x12″

Categories
Art Representational Uncategorized

Chinese New Year

oil pastel on paper 12″x16″

Categories
Abstract Art Uncategorized

Coins In The Fountain

acrylic on panel 16″x16″

Categories
Art Representational Uncategorized

Christmas Eve

oil on canvas 11″x14″

SOLD

Categories
Art Representational Uncategorized

Close Together

oil on canvas 12″x12″

Categories
Art Representational Uncategorized

View From The Sculpture Balcony

oil pastel on paper 12″x9″

Categories
Art Representational Uncategorized

The House Across The Street

oil pastel on paper 12″x16″

Categories
Abstract Art Uncategorized

Primary Reaction

acrylic on panel 16″x16″

Categories
Art Representational Uncategorized

Heaviest Metals (self portrait)

oil on canvas 18″x18″

Categories
Art Representational Uncategorized

Comission

watercolor on paper 5″x7″

Categories
Art Representational Uncategorized

Honor System Open Now

oil on canvas 18″x24″

Categories
Abstract Art Uncategorized

Loopy

acrylic on canvas 12″x12″

Categories
Art Representational Uncategorized

A Quick Trip To The Real World

oil pastel on paper 12″x12″

Categories
Art Uncategorized

Rainy Day

acrylic on panel 9″x12″

Categories
Art Representational Uncategorized

Flowers With Breakfast

oil on canvas 12″x12″

Categories
Abstract Art Uncategorized

Uncertainty

acrylic on canvas 20″x20″

Categories
Abstract Art Uncategorized

No Particular Place To Go

mixed media on canvas 12″x12″

Categories
Abstract Art Uncategorized

Organized Chaos

watercolor on paper 9″x12″

Categories
Art Representational Uncategorized

Erector Square

watercolor on paper 12″x18″

Categories
Art Representational Uncategorized

Bethel Crossing: My Friends Lived Here

oil and colored pencil on panel 12″x24″

Categories
Art Representational Uncategorized

Lucid Forest

oil on canvas 12″x12″

Categories
Art Representational Uncategorized

That Which Makes Life

SOLDĀ oil on canvas 12″x12″

Categories
Art Representational Uncategorized

A Barn

watercolor pencil on paper 12″x18″

Categories
Art Representational Uncategorized

Change Of Light

oil and colored pencil on canvas 12″x12″

Categories
Abstract Art Uncategorized

Lighter Or Darker?

acrylic on canvas 20″x20″

Categories
Abstract Art Uncategorized

Listening To New Order

oil on canvas 12″x12″

Categories
Art Representational Uncategorized

A Light Shines In

oil on panel 12″x12″

Categories
Art Representational Uncategorized

Better Artists Came Before Us

watercolor on paper 14″x20″

Categories
Art Representational Uncategorized

Last Light

watercolor on paper 14″x20″